Review of Unweaving the Rainbow by Richard
Dawkins. Literary Review, Nov. 1998
BY A DELICIOUS irony, I was part-way through reading
Richard Dawkinss new book when the October issue of
the Literary Review fell through my letter box.
Dawkinss title comes from Keatss poem Lamia,
written in 1819, in which the poet claimed that Newton
had destroyed the beauty of the rainbow by explaining the
origin of its colours. His mission in this book is to
champion the opposite view: by adding scientific
knowledge to aesthetics, we double our sense of wonder at
the Universe. And there in the Review was a poem by Noel
Petty (no Keats, he) wrong-headedly copying the idea that
knowledge drives out beauty (he also copied the structure
of his poem, and must be laughing all the way to the bank
with his prize). Ah me. There, in a nutshell, is why
Dawkinss book is timely, needed, and particularly
appropriate reading for any arts-educated person who
regards scientists as rude mechanics.
This, of course, represents a change of direction for
Dawkins, stimulated by his appointment in 1995 as the
first Professor of the Public Understanding of Science at
the University of Oxford. His mission here is not just to
speak up for science, but to reclaim some of the ground
lost to pseudo-science, spoon-bending and the like.
Real science has a just entitlement to the tingle
in the spine which, at a lower level, attracts the fans
of Star Trek and Doctor Who and which, at the lowest
level of all, has been lucratively hijacked by
astrologers, clairvoyants and television psychics.
Dawkins is excellent when describing the wonder of
science, using, among others, the example of how the
unweaving of the rainbow represented by stellar
spectroscopy has made it possible for us to understand
what stars are made of and how they work. Does this
reduce our appreciation of stars? No. It enhances it, in
the same way that the power and beauty of a steam
locomotive are even more impressive and amazing when you
understand how the mechanism works. Can there really be
anybody who failed to feel a tingle up their spine the
first time they learned that the atoms in their own body
are literally made of stardust?
The prose of Unweaving the Rainbow is
embellished (rather over-embellished, for my taste, but
the reasons are obvious) with literary allusion and
poetic quotations, as if to ask how many Professors of
English Literature are as well informed about science as
the average Professor of Zoology (Dawkinss earlier
incarnation) is about literature. His sideswipes at
fashionable idiocies and the dumbing down of so much of
education (degrees in media studies and the like),
though, are deliciousas in the story of one of his
colleagues, who confessed to an American devotee of
postmodernism that she had found his book very difficult
to understand. The postmodernist took it as a compliment.
Dawkins is at his best when he dons the mantle of the
late Carl Sagan and roars into action against the hordes
of pseudo-science, using simple statistics to explain
away seemingly amazing coincidences as something to be
expected, and using his knowledge of human origins and
evolution to make it clear why our minds have evolved to
perceive meaningful patterns where none exist. The
chapter on Unweaving the Uncanny is worth the
price of the book on its own. I was also delighted to see
that Dawkins shares my views on the greatest swindle of
them allthe fact that insurance companies calculate
the actuarial odds for the population as a whole, then
tilt the balance in their own favour by declining to
insure people who are at higher risk, or charging them a
higher premium. It is comparable to bookies at a
racecourse accepting bets on any of the horses, except
the favourites.
But even Dawkins nods sometimes. He cannot resist the
opportunity to bang the drum for his genuinely original
and exciting ideas about selfish genes and co-operation,
which for all their beauty do now seem very familiar from
his earlier books. Perhaps the attacks on Stephen Jay
Gould are also a little too shrill, although it is hard
to be too critical here, since Gould certainly needs
taking down a peg or two, in any case, these passages do
make the point that, although Gould writes beautifully,
beautiful prose can also be plain wrong. Dawkins (or his
editor) could have clipped a chapter or two away and left
a more tightly focused book, more clearly addressing the
theme of its title.
This is important, because there is more to the book
than the idea that science is built on a sense of wonder
and an appreciation of beauty. Science is also of
profound practical importance in modern society. Dawkins
demonstrates this by using the example of how DNA
fingerprinting has been misapplied, misunderstood and
misinterpreted in recent years (sometimes wilfully
misapplied: apparently, it is common practice among
lawyers to reject prospective jurors who have scientific
training, the reasoning being that such people will be
more likely to see through the clouds of obfuscation
typically associated with our adversarial legal process).
He makes the telling point that lawyers would be
better lawyers, judges better judges, parliamentarians
better parliamentarians and citizens better citizens if
they knew more science and, more to the point, if they
reasoned more like scientists. They could do no
better than to start by reading this book.